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KMID : 0644020080210030103
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Journal Of Korean Medical Classics
2008 Volume.21 No. 3 p.103 ~ p.117
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A Study on O-eum(çéëå) and Oseong(çéá¢) in Hwangjenaegyeong(üÜð¨Ò®Ìè) and Akhakgwebeom(å·ùÊÏùÛô)
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Baik You-Sang
Jang Woo-Chang
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Abstract
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At first, we explained concepts of Oseong(çéá¢) in "Akhakgwebeom(äÅùÊÏùÛô)" and then compared them with O-eum(çéëå) in "Hwangjenaegyeong(üÜð¨Ò®Ìè)". In that progress we can have recognized the commonness and differences between two texts, and became familiar with ideas of sounds in minds of ancients. That ideas are concerned with true nature of human and cosmos. Based on that ideas, we could return to stasis of mutual understanding with each other, it means a condition of harmony. For that purpose we must understand detail meanings of O-eum(çéëå) and Oseong(çéá¢), and this analysis lead clinical music therapy to do an important thing as methodology of treating human body and minds. The ideas of O-eum(çéëå) in "Akhakgwebeom(äÅùÊÏùÛô)" are not exactly corresponded to vocalization of Hunminjeongeum(ýºÚÅïáëå) that is Korean characters, and Oseong(çéá¢) in "Hwangjenaegyeong(üÜð¨Ò®Ìè)". But this dissonancy is a problem of methodology, on the contrary, there are many common concepts and possibilities of application to practical uses between them.
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KEYWORD
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o-eum(çéëå), oseong(çéá¢), music therapy, Hwangjenaegyeong(üÜð¨Ò®Ìè), Akhakgwebeom(äÅùÊÏùÛô)
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Listed journal information
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